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COLLECTION
“69000” transforms digital nostalgia into bold geometric abstraction. Six circular voids echo cycles of memory and time, while nine floppy disks stand as structured relics of a once cutting-edge era. Framed within a defined square, the composition balances organic softness with mechanical precision. The work reflects on permanence, obsolescence, and how technology reshapes what we choose to remember.
69000
“Decay” explores the quiet tension between structure and surrender. A fragile geometry rises above, hinting at human order and intention, yet its surfaces already show signs of erosion. Below, texture takes over, rough, fractured, and shaped by time. The work reflects on impermanence not as loss, but as transformation, where contrast softens and imperfection becomes its own form of beauty.
DECAY
“Phantom” reflects on the persistence of self through change. A textured black and white figure, both playful and watchful, stands like a memory made visible. Repeated eyes and smeared imprints suggest past versions that never fully disappear. The work explores identity as layered and evolving, where former selves linger quietly within the present.
PHANTOM
“Sequence // Break” begins with structure, echoing the logic of the Fibonacci sequence, then deliberately disrupts it. Compartments hold voids, erosion, and rhythmic marks that challenge perfect symmetry. At the center, a small gilded square shifts the balance, subtle yet defiant. The work tests systems rather than rejecting them, revealing tension, friction, and beauty in imbalance.
SEQUENCE // BREAK
“Sightlines” explores perception, access, and the limits of seeing. Gestural black forms sit behind clear plexiglass, visible yet untouchable, turning observation into distance. Below, a treated mirror barely reflects the viewer, dissolving identity into abstraction. The work questions systems built around sight and asks who or what is left unseen when experience is defined only by the visual.
SIGHTLINES
“Save Me” captures the tension between digital life and urban confinement. Grey textured panels form an artificial sky above a burning orange structure that feels like home and cage at once. Embedded keycaps hint at a silent command to save, while hidden Morse code revealed under UV light turns the work into a quiet plea. It reflects on disconnection, consumerism, and the desire to break free from the systems we inhabit.
SAVE ME
“One of two” explores freedom within limitation. A movable orange tile can shift between two fixed anchor points, inviting interaction and choice inside a predefined system. Its vibrant energy contrasts with textured glass above and an eroded grey surface below. The work reflects on agency, compromise, and the quiet negotiation between structure and personal decision.
ONE OF TWO
“Reflection Protocol” presents a mirrored figure shaped like a futuristic geisha, suspended between tradition and circuitry. A monochrome surface suggests concrete and code, interrupted only by a small green node glowing at the chest like a digital heart. The work reflects on identity as constructed and observed, yet never fully controlled. It is both confrontation and reclamation, inviting the viewer to see themselves within the system.
REFLECTION PROTOCOL
“Harald” is built from layered grey planes that form a quiet architectural space. From this minimal structure, the silhouette of a cat emerges, seated, alert, and looking beyond the frame. The muted palette reflects a generational search for clarity and calm, turning minimalism into more than aesthetic. Harald becomes a grounding presence, a symbol of sanctuary, openness, and the quiet reshaping of inherited emotional spaces.
HARALD
“Geist” reveals a looming presence emerging from a fractured monochrome field. Its silhouette is shaped by embedded rope, defining and restraining the dark form at once. Two neon green eyes glow in the dark, transforming the figure from abstraction into awareness. Set against a distorted grey backdrop, the work explores the parts of the self that persist, observe, and refuse to disappear.
GEIST
“You + Me” presents human connection as laboratory experiment. Forty-eight glowing samples sit within a rigid grid, each labeled, observed, or crossed out. Among them, two adjacent orange forms interrupt the system, suggesting rare compatibility discovered through trial and unseen forces. The work reflects on identity, selection, and the constructed chemistry behind finding one another.
YOU + ME
“C4T” transforms obsolete cassette tape into the silhouette of a seated cat, blending nostalgia with identity. A cassette forms the face, its gears becoming eyes, one marked in blue, while a small CD rests at the center like a relic of past entertainment. Suspended on a white canvas without a background, the figure turns outdated technology into warmth, presence, and enduring companionship.
C4T
“BIG BLUE” is a monochrome cobalt field concealing layered textures beneath its surface. Paper, cardboard, and canvas warp outward, creating subtle ridges and depth that shift with light. Evoking the vastness of the ocean, the work reflects on immensity and concealment, where what lies beneath the surface holds more complexity than what is immediately seen.
BIG BLUE
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ABOUT
I work with the tension between structure and disruption, automation and autonomy.
Through technological brutalism, layered distortions, and textured surfaces, I build visual systems where the agency is shaped, classified, or concealed by the frameworks that claim to define it.
The result is a visual language that exposes the quiet negotiations of being human within a system-driven world.